LITTLE WOMEN
Louisa M. Alcott
LOUISA MAY ALCOTT was born in 1832 and died in 1888. She was the daughter of A. Bronson Alcott,
the "Sage of Concord." Her early surroundings were of a highly intellectual and literary
character, and she naturally took to writing while still very young.
In her sketch "Transcendental Oats" she describes in an amusing way the experience of a year at
Fruitlands, where an attempt was made to establish an ideal community.
Miss Alcott was obliged to be a wage-earner to help out the family income, and so taught school,
served as a governess and at times worked as a seamstress. Wearying of this, she wrote for the
papers stories of a sensational nature, which were remunerative financially, but unsatisfactory
to her as a literary pursuit, and she abandoned this style of writing.
In a Washington hospital she served as a nurse for a time, but the work was so hard that she
failed in health, and when she recovered she had to find new fields of work; then she traveled
as attendant to an invalid, and with her visited Europe.
After several attempts at literature, Miss Alcott wrote "Little Women," which was an immediate
success, reaching a sale of 87,000 copies in three years. She wrote from the heart, and wove
into the story incidents from the lives of herself and her three sisters at Concord. She afterward
wrote "An Old-Fashioned Girl," "Little Men," "Aunt Jo's Scrap Bag," "The Eight Cousins," and
"Rose in Bloom," besides other stories and sketches.
In their old-fashioned New England home the little women lived with Mrs. March, their brisk and
cheery mother, who always had a "can-I-help-you" look about her, and whom her four girls lovingly
called "Marmee."
Pretty Meg, the oldest, was sixteen, and already showed domestic tastes and talents, though she
detested the drudgery of household work; and, a little vain of her white hands, longed at heart
to be a fine lady. Jo, fifteen, was tall, thin, and coltish, and gloried in an unconcealed scorn
of polite conventions. Beth, thirteen, was a loveable little thing, shy, fond of her dolls and
devoted to music, which she tried hopefully to produce from the old, jingling tin pan of a piano.
Amy, twelve, considered herself the flower of the family. An adorable blonde, she admitted that
the trial of her life was her nose. For, when she was a baby Jo had accidentally dropped her
into the coal-hod and permanently flattened that feature, and though poor Amy slept with a patent
clothespin pinching it, she couldn't attain the Grecian effect she so much desired.
Father March was an army chaplain in the Civil War, and in his absence Jo declared herself to be
the man of the family. To add to their slender income, she went every day to read to Aunt March,
a peppery old lady; and Meg, too, earned a small salary as daily nursery governess to a
neighbor's children.
In the big house next door to the Marches lived a rich old gentleman, Mr. Laurence, and his
grandson, a jolly, chummy boy called Laurie.
The night Laurie took the two older girls to the theater, Amy, though not invited, insisted on
too. Jo crossly declared she wouldn't go if Amy did, and, furiously scolding her little sister,
she slammed the door and went off, as Amy called out: "You'll be sorry for this, Jo March! See
if you ain't!" The child made good her threat by burning up the manuscript of a precious book
which Jo had written and on which she had spent three years of hard work. There was a terrible
fracas, and, though at her mother's bidding Amy made contrite apology, Jo refused to be pacified.
It was only when poor little Amy was nearly drowned by falling through the ice that
consicence-stricken Jo forgave her sister and learned a much-needed lesson of self-control.
Meg, too, learned a salutary lesson when she went to visit some fashionable friends and had her
first taste of "Vanity Fair." Her sisters gladly lent her all their best things. Yet she soon
saw that her wardrobe was sadly inadequate to the environment in which she found herself.
Whereupon the rich friends lent her some of their own finery; and, after laughingly applying
paint and powder, they laced her into a sky-blue silk dress, so low that modest Meg blushed at
herself in the mirror, and Laurie, who was at the party, openly expressed his surprised
disapproval. Chagrin and remorse followed, and it was not until after full confession to
Marmee that Meg realized the trumpery value of fashionable rivalry and the real worth of
simplicity and contentment.
Now John Brooke, the tutor of Laurie, was a secret admirer of pretty Meg. Discovering this,
the mischievous boy wrote Meg a passionate love-letter, purporting to be from Brooke. This prank
caused a terrible upset in both houses, but later on Brooke put the momentous question, and Meg
meekly whispered, "Yes, John," and hid her face on his waistcoat. Jo, blundering in, was
transfixed with astonishment and dismay, and exclaimed, "Oh, do somebody come quick! John Brooke
is acting dreadfully, and Meg likes it!"
At Christmas, Father March came home from the war. Later came the first ;break in their restored
home circle. The Dovecote was the name of the little brown house that John Brooke had prepared
for his bride. The wedding, beneath the June roses, was a simple, homey one, and the bridal
journey was only the walk from the March home to the dear little new house. "I'm too happy to
care what any one says --- I'm going to have my wedding just as I want it!" Meg had declared;
and so, leaning on her husband's arm, her hands full of flowers, she went away, saying:
"Thank you all for my happy wedding-day. Good-by, good-by!"
Jo developed into a writer of sensational stories. This, however, was because she found a
profitable market for such work and she wanted the money for herself and the other. For little
Beth was ailing, and a summer stay at the seashore might, they all hoped, bring back the roses
to her cheeks. But it didn't, and after a time the dark days came when gentle Beth, like a
tired but trustful child, clung to the hands that had led her all through life, as her father
and mother guided her tenderly through the Valley of the Shadow and gave her up to God.
Then came a day when Laurie was invited to the Dovecote to see Meg's new baby. Jo appeared, a
proud aunt, bearing a bundle on a pillow. "Shut your eyes and hold out your arms," she ordered,
and Laurie, obeying, opened his eyes again, to see --- two babies! "Twins, by Jupiter!" he
cried; "take 'em, quick, somebody! I'm going to laugh, and I shall drop 'em!"
Laurie had loved Jo for years, but Jo, though truly sorry, couldn't respond. As she said, "It's
impossible for people to make themselves love other people if they don't!" And so, after a time,
Laurie decided that Amy was the only woman in the world who could fill Jo's place and make him
happy. And the two were very happy together, Amy taking great pride in her handsome husband.
"Don't laugh," she said to him, "but your nose is such a comfort to me!" and she caressed the
well-cut feature with artistic satisfaction.
Jo found her fate in an elderly professor, wise and kind, but too poor to think of marriage.
For a year the pair worked and waited and hoped and loved, and then Aunt March died and left
Jo her fine old country place. Here Jo and her professor set up their home, and established a
boy's school which became a great success. Jo lived a very happy life, and, as the years went
on, two little lads of her own came to increase her happiness. Amy, too, had a dear child named
Beth, but she was a frail little creature and the dread of losing her was the shadow over
Amy's sunshine.
But the little women and all their dear ones formed a happy, united family, of whom Jo truly
wrote:
Lives whose brave music long shall ring
Like a spirit-stirring strain.